Chewbear
Progressive House · King's Lynn UK
Chewbear mixing on Technics 1210 turntables and a DJM-V10 mixer at home, head down over the decks.

Chewbear

Sixteen · self-taught · vinyl first
The story

Chewbear is sixteen, and he's been teaching himself since before most people his age knew what they wanted to do.

School didn't fit. He's autistic, and a classroom was never going to be where he found himself. So he found it somewhere else — in front of a pair of Technics 1210s, with a stack of records and nobody telling him how.

He learned to beatmatch by ear. He learned to mix on vinyl — the hard way, the way almost nobody his age still bothers with. Then he taught himself to produce: Ableton, in his bedroom, one track at a time. No lessons, no shortcuts. Just the thing he couldn't stop doing.

The sound is long-form progressive house — big breakdowns, records that take their time to go somewhere. Five releases out. He's got a long way to go and he knows it. But he got here on his own, and that part's already done.

Chewbear in headphones, leaning in close over the mixer under purple light, listening.
Headphones on. Everything else off.
In his words

School and me never worked. I'm autistic, and a classroom was never where I was going to figure myself out.

Then everything got turned upside down. We lost a lot, and started again from not much.

Somewhere in all that, I got in front of a pair of turntables — and that was the thing. I taught myself. No lessons, just hours. I learned to mix on vinyl because that's the way that felt right, even though nobody my age bothers. Then I taught myself to make my own tracks.

I'm not the finished article and I know it. But every bit of what I can do, I worked out on my own. From where things were to here — I'm proud of that.

— Bear
The records

Five tracks. All his.

The booth

Built at home. Used every day.

The full booth: turntables either side of the deck setup, headphones on, records out.
Two turntables, records on the floor, and the room he made for it.
Mixing at night by the window, cue light glowing red, the street lit up outside.
Late. The street outside, a record going round.
At the decks in front of the space-station backdrop, mid set.
Mid-set. The all-vinyl mix below came from this room.
Hands on the mixer, working. Cueing the next record. Riding the faders through the blend.
The set

An hour and ten. All vinyl.

Everywhere else
Demos · Remixes · Bookings

Labels and promoters — the tracks are real, the sets are live, and he answers his own email.

[email protected]